@incollection{kruger_bridge_global_2022, edition = {1}, title = {The {Global} {Music} {Business}, and the {Globalization} of {Culture}}, isbn = {978-0-19-008137-9 978-0-19-008138-6}, url = {https://doi.org/10.1093/oxfordhb/9780190081379.013.3}, abstract = {Abstract The global music business is without a doubt one of the main drivers of cultural globalization. In many countries of the world, a handful of global superstars dominate the music charts. Nevertheless, a closer look at the statistics shows that the assumption of a constant increase of homogenization is misleading. Firstly, there are some countries which resist international trends; secondly, the degree of homogenization has been stable for decades with some fluctuation but no serious increase; thirdly, global homogenization does not contradict the increase of local diversity, and sometimes even a kind of counterflow from the peripheries to the center can be observed. Furthermore, the music business itself has substantially changed in recent decades. While the major labels continue to dominate the business, new players have entered the global music market. In this article, the globalization of culture is evaluated from an economic perspective, using data on the global flow of musical goods.}, language = {en}, urldate = {2022-12-21}, booktitle = {The {Oxford} {Handbook} of {Global} {Popular} {Music}}, publisher = {Oxford University Press}, author = {Gebesmair, Andreas}, editor = {Krüger Bridge, Simone}, month = dec, year = {2022}, note = {Projekt: Trading Cultures}, keywords = {Forschungsgruppe Media Business, Institut für Creative Media Technologies, peer-reviewed}, } @misc{gebesmair_von_2022, address = {Universität Bayreuth}, type = {Invited talk}, title = {Von der „{Allesfresser}“-{Kultur} zur {Filterbubble}: {Kulturpolitik} im {Netzzeitalter}}, author = {Gebesmair, Andreas}, month = jul, year = {2022}, keywords = {Department Medien und Digitale Technologien, Forschungsgruppe Media Business, Institut für Creative Media Technologies}, } @misc{gebesmair_campus_2015, address = {St. Pölten}, title = {Campus {Talk} zum {Projekt} „{TraeX}. {Transmedia} {Extensions}“}, url = {https://soundcloud.com/fhstp/sets/campus-talk-zum-projekt-traex}, journal = {Campus Talk / Campus und City Radio 94,4}, author = {Gebesmair, Andreas and Ebner-Zarl, Astrid}, month = may, year = {2015}, note = {Projekt: TraeX}, keywords = {2015, Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Präsentation}, } @article{gebesmair_symbolic_2022, title = {Symbolic representations of cultural industries at content trade fairs: {Bourdieu}’s „economic world reversed“ revisited}, volume = {92}, copyright = {CC-By}, issn = {0304422X}, shorttitle = {Symbolic representations of cultural industries at content trade fairs}, url = {https://doi.org/10.1016/j.poetic.2021.101614}, doi = {10.1016/j.poetic.2021.101614}, language = {en}, number = {Part B}, urldate = {2022-08-09}, journal = {Poetics}, author = {Gebesmair, Andreas and Ebner-Zarl, Astrid and Musik, Christoph}, month = jun, year = {2022}, note = {Projekt: Trading Cultures}, keywords = {Department Medien und Digitale Technologien, Forschungsgruppe Media Business, Institut für Creative Media Technologies, best-lbgebesmair, peer-reviewed}, pages = {101614}, } @misc{gebesmair_interview_2015, title = {Interview über das {Projekt} „{TraeX}“ und die {Tagung} „{Transmedia} for {Kids}“ für einen {Artikel} in {DiePresse} mit dem {Titel} „{Spielerisch} den kleinen {Unterschied} ausgleichen“}, url = {https://www.diepresse.com/4753637/spielerisch-den-kleinen-unterschied-ausgleichen?from=rss}, author = {Gebesmair, Andreas and Ebner-Zarl, Astrid}, month = jun, year = {2015}, note = {Projekt: TraeX}, keywords = {2015, Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Präsentation}, } @misc{gebesmair_interview_2015-1, title = {Interview für den {Standard}-{Artikel} „{Komplexes} {Spiel} mit {Geschlechterrollen}“}, url = {https://www.derstandard.at/story/2000023659090/komplexes-spiel-mit-geschlechterrollen}, author = {Gebesmair, Andreas and Ebner-Zarl, Astrid}, month = oct, year = {2015}, note = {Projekt: TraeX}, keywords = {2015, Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Präsentation}, } @article{gebesmair_interaction_2022, title = {Interaction {Rituals} at {Content} {Trade} {Fairs}: {A} {Microfoundation} of {Cultural} {Markets}}, copyright = {CC-BY}, issn = {0891-2416, 1552-5414}, shorttitle = {Interaction {Rituals} at {Content} {Trade} {Fairs}}, url = {https://doi.org/10.1177/08912416221113370}, doi = {10.1177/08912416221113370}, abstract = {In this article, we show how ritualized periodic encounters of business partners help to reproduce business relations and a shared understanding of doing business based on ethnographic fieldwork at six international trade fairs in three different cultural industries. We draw on Randall Collins’ theory of interaction rituals (IRs), which highlights the relevance of emotional contacts in social life. Although Collins’ theory and his conceptional instruments help to shed light on a neglected aspect in the sociology of markets, our results go beyond his ethological interpretation of interactions. First, we conclude that Collins underestimates the direct impact of the uneven distribution of economic resources on IRs. Second, we observed not only emotional entrainment in IRs but also the strategic production of emotions.}, language = {en}, urldate = {2022-08-09}, journal = {Journal of Contemporary Ethnography}, author = {Gebesmair, Andreas and Musik, Christoph}, month = aug, year = {2022}, note = {Projekt: Trading Cultures}, keywords = {Department Medien und Digitale Technologien, Forschungsgruppe Media Business, Institut für Creative Media Technologies, best-lbgebesmair, peer-reviewed}, } @techreport{gebesmair_extremwetterereignisse_2022, address = {St. Pölten}, title = {Extremwetterereignisse in der medialen {Berichterstattung}}, copyright = {CC-BY}, url = {https://phaidra.fhstp.ac.at/o:4933}, author = {Gebesmair, Andreas and Bezensek, Sophie}, year = {2022}, note = {Projekt: LINK}, keywords = {Department Medien und Digitale Technologien, Forschungsgruppe Media Business, Institut für Creative Media Technologies}, } @misc{gebesmair_reading_2021, address = {St. Pölten University of Applied Sciences, Austria}, type = {Vortrag}, title = {Reading {Audio}. {Sentiment} {Analysis} of {Comments} about {Music} {Videos} on {YouTube} ({SAMBA}-{Project})}, url = {https://phaidra.fhstp.ac.at/o:4934}, author = {Gebesmair, Andreas and Grüblbauer, Johanna}, month = jun, year = {2021}, keywords = {Department Medien und Digitale Technologien, Forschungsgruppe Media Business, Institut für Creative Media Technologies}, } @techreport{gebesmair_vida_2021, address = {St. Pölten}, title = {vida on air -{Vorstudie} zur {Mediennutzung} und zum {Informationsbedarf} in der {Transportbranche}}, url = {https://phaidra.fhstp.ac.at/o:4932}, institution = {Forschungsgruppe Media Business der FH St. Pölten}, author = {Gebesmair, Andreas}, year = {2021}, note = {Projekt: Web4Trans}, keywords = {Department Medien und Digitale Technologien, Forschungsgruppe Media Business, Institut für Creative Media Technologies}, } @techreport{ebner-zarl_leitlinien_2016, address = {St. Pölten}, title = {Leitlinien und weiterführende {Literatur} für die gendersensible {Gestaltung} innovativer {Kindermedienformate}}, url = {https://phaidra.fhstp.ac.at/o:4931}, author = {Ebner-Zarl, Astrid and Gebesmair, Andreas}, year = {2016}, } @inproceedings{oliveira_sambavis_2020, address = {Norrköping, Sweden}, title = {{SAMBAVis}: {Design} {Study} of a {Visual} {Analytics} {Tool} for the {Music} {Industry} {Powered} by {YouTube} {Comments}}, url = {https://doi.org/10/gjhw}, doi = {10/gjhw}, abstract = {Data from comments on social media platforms offer valuable information about trends and market changes. Aiming at the music industry, we propose SAMBAVis: a visual analytics tool to handle user-generated content from comments left on YouTube music videos. SAMBAVis displays main key performance indexes, video lifecycle, and engagement with comments. It also performs sentiment analysis and extracts the main keywords from the comments, expanding YouTube capabilities. In this paper, we contribute with a design study, explaining the development of SAMBAVis and the rationale of our design. We present a usage scenario and reflect on our methods and results when creating a visualization tool for experts in the music business.}, language = {en}, booktitle = {Eurovis 2020}, author = {Oliveira, Victor A. De J. and Stoiber, Christina and Grüblbauer, Johanna and Musik, Christoph and Ringot, Alexis and Gebesmair, Andreas}, year = {2020}, note = {Projekt: SAMBA}, keywords = {Data Science, Digital Media, Eintrag überprüfen, FH SP Data Analytics \& Visual Computing, Forschungsgruppe Media Business, Forschungsgruppe Media Computing, Green OA, Human-Computer Interaction, Institut für Creative Media Technologies, Open Access, Visual Computing, peer-reviewed}, } @techreport{gebesmair_evaluierung_2017, title = {Evaluierung und {Entwicklung} eines {Erhebungsinstruments} zur {Imagebewertung} der Ö{BB}. {Bericht} zum {Forschungsprojekt} mit den Österreichischen {Bundesbahnen}}, author = {Gebesmair, Andreas and Wagner-Havlicek, Carina}, year = {2017}, keywords = {Department Digital Business and Innovation, Institut für Medienwirtschaft, Institute for Innovation Systems, SP MW Communication \& Consumer Experience}, } @article{gebesmair_ende_2021, title = {Das {Ende} der {Globalisierung}?}, volume = {19}, issn = {2198-0322, 2194-6981}, url = {https://doi.org/10.14361/pop-2021-100202}, doi = {10.14361/pop-2021-100202}, language = {de}, number = {2}, urldate = {2021-11-03}, journal = {POP. Kultur und Kritik}, author = {Gebesmair, Andreas}, month = sep, year = {2021}, note = {Projekt: Trading Cultures}, keywords = {Forschungsgruppe Media Business, Institut für Creative Media Technologies}, pages = {8--15}, } @article{gebesmair_make_2020, title = {Make or {Buy}? {Beschaffungsstrategien} von {Apple} {TV}+}, volume = {16}, url = {https://doi.org/10.14361/pop-2020-090103}, journal = {POP. Kultur und Kritik}, author = {Gebesmair, Andreas}, year = {2020}, keywords = {Department Medien und Digitale Technologien, Forschungsgruppe Media Business, Institut für Creative Media Technologies, ⛔ No DOI found}, pages = {16--21}, } @book{krone_zur_2019, address = {Baden-Baden}, series = {Reihe {Medienstrukturen}}, title = {Zur Ökonomie gemeinwohlorientierter {Medien}. {Massenkommunikation} in {Deutschland}, Österreich und der {Schweiz}.}, url = {https://doi.org/10.5771/9783845289601}, number = {14}, publisher = {Nomos}, editor = {Krone, Jan and Gebesmair, Andreas}, year = {2019}, keywords = {Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, SP MW Global Media Markets \& Local Practices, Wiss. Beitrag, best, best-lbgebesmair}, } @incollection{krone_vorwort_2019, address = {Baden-Baden}, series = {Reihe {Medienstrukturen}}, title = {Vorwort und {Einführung}. {Zur} Ökonomie gemeinwohlorientierter {Medien}. {Massenkommunikation} in {Deutschland}, Österreich und der {Schweiz} – {Aufbau} der {Tagungspublikation}.}, url = {https://doi.org/10.5771/9783845289601-9}, number = {14}, booktitle = {Zur Ökonomie gemeinwohlorientierter {Medien}. {Massenkommunikation} in {Deutschland}, Österreich und der {Schweiz}.}, publisher = {Nomos}, author = {Krone, Jan and Gebesmair, Andreas}, editor = {Krone, Jan and Gebesmair, Andreas}, year = {2019}, keywords = {Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, SP MW Global Media Markets \& Local Practices, Wiss. Beitrag, best-lbkrone}, pages = {11--16}, } @incollection{gebesmair_zur_2019, address = {Baden-Baden}, series = {Medienstrukturen}, title = {Zur gesellschaftlichen {Bedeutung} von österreichischen {YouTube}-{Channels}}, isbn = {978-3-8487-4811-2}, url = {https://doi.org/10.5771/9783845289601-95}, number = {14}, booktitle = {Zur Ökonomie gemeinwohlorientierter {Medien}. {Massenkommunikation} in {Deutschland}, Österreich und der {Schweiz}}, publisher = {Nomos}, author = {Gebesmair, Andreas}, editor = {Krone, Jan and Gebesmair, Andreas}, year = {2019}, note = {Projekt: AUFTRAG03}, keywords = {Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, SP MW Global Media Markets \& Local Practices, Wiss. Beitrag}, pages = {95--110}, } @article{gebesmair_influencer_2018, title = {Influencer und ihre {Multi}-{Channel}-{Networks}.}, url = {https://doi.org/10.14361/pop-2018-070205}, doi = {10.14361/pop-2018-070205}, language = {de}, number = {Heft 13}, journal = {POP. Kultur und Kritik}, author = {Gebesmair, Andreas}, year = {2018}, keywords = {Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Schriftpublikation, ⛔ No DOI found}, pages = {30--34}, } @incollection{gebesmair_okonomie_2017, address = {Stuttgart}, title = {Ökonomie}, url = {https://link.springer.com/chapter/10.1007/978-3-476-05601-6_54}, booktitle = {Handbuch {Popkultur}}, publisher = {Metzler}, author = {Gebesmair, Andreas}, editor = {Hecken, Thomas and Kleiner, Marcus S.}, year = {2017}, keywords = {2017, Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Schriftpublikation}, pages = {306--310}, } @incollection{gebesmair_vom_2016, title = {Vom {DJ} zum {Algorithmus}}, url = {https://doi.org/10.14361/pop-2016-0209}, booktitle = {Pop. {Kultur} und {Kritik}.}, author = {Gebesmair, Andreas}, editor = {Baßler, Moritz and Curtis, Robin and Drügh, Heinz and Geer, Nadja and Hecken, Thomas and Jacobs, Mascha and Pethes, Nicolas and Sabisch, Katja}, year = {2016}, keywords = {2016, Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Schriftpublikation, best}, pages = {59--63}, } @article{gebesmair_-demand_2015, title = {On-{Demand} ({Filme}, {Serien}, {TV}).}, volume = {Heft 6}, url = {https://doi.org/10.14361/pop-2015-0108}, doi = {10.14361/pop-2015-0108}, journal = {POP. Kultur und Kritik}, author = {Gebesmair, Andreas}, editor = {Baßler, Moritz}, year = {2015}, keywords = {Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Schriftpublikation, ⛔ No DOI found}, pages = {47--50}, } @incollection{gebesmair_when_2015, series = {Beiträge zur {Popularmusikforschung} 42}, title = {When {Balkan} became {Popular}: {The} {Role} of {Cultural} {Intermediaries} in {Communicating} {Regional} {Musics}}, url = {https://doi.org/10.1515/9783839432242-006}, booktitle = {Speaking in {Tongues}. {Pop} lokal global.}, author = {Gebesmair, Andreas}, editor = {Helms, Dietrich and Phleps, Thomas}, year = {2015}, keywords = {Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Schriftpublikation}, pages = {89--102}, } @incollection{gebesmair_immigrant_2014, address = {Bielefeld}, title = {Immigrant {Music} {City} {Vienna}? {Zur} {Relevanz} ethnischer {Kulturökonomien} in kreativen {Städten}.}, url = {https://doi.org/10.1515/transcript.9783839419656.199}, booktitle = {Music. {City}. {Hamburg}?! {Musikalische} {Annäherungen} an die kreative {Stadt}}, publisher = {Transcript}, author = {Gebesmair, Andreas}, editor = {Barber-Kersovan, Alenka and Kirchberg, Volker and Kuchar, Robin}, year = {2014}, keywords = {Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Schriftpublikation}, pages = {199--215}, } @article{gebesmair_feudalismus_2013, title = {Feudalismus für alle! {Zu} einigen {Tendenzen} in der {Diskussion} über {File}-{Sharing}}, volume = {2}, url = {https://doi.org/10.14361/pop.2013-0110}, journal = {POP. Kultur und Kritik}, author = {Gebesmair, Andreas}, editor = {Baßler, Moritz and Curtis, Robin and Drügh, Heinz and Geer, Nadja and Hecken, Thomas and Jacobs, Mascha and Pethes, Nicolas and Sabisch-Fechtelpeter, Katja}, year = {2013}, keywords = {Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Schriftpublikation, ⛔ No DOI found}, pages = {54--57}, } @article{gebesmair_youtube_2022, title = {{YouTube}: {Content}, {Creator}, {Kulturindustrie}}, volume = {20}, url = {https://doi.org/10.14361/pop-2022-110119}, doi = {10.14361/pop-2022-110119}, journal = {POP. Kultur und Kritik}, author = {Gebesmair, Andreas}, year = {2022}, keywords = {Department Medien und Digitale Technologien, Forschungsgruppe Media Business, Institut für Creative Media Technologies}, pages = {122--127}, } @techreport{gebesmair_wirtschaftliche_2017, address = {St. Pölten}, title = {Die wirtschaftliche und gesellschaftliche {Bedeutung} von {You}-{Tube}-{Channels} in Österreich. {Eine} {Studie} im {Auftrag} der {RTR} - {GmbH}.}, url = {https://www.rtr.at/medien/aktuelles/publikationen/Publikationen/YouTube_Channels_2017.de.html}, institution = {Fachhochschule St. Pölten}, author = {Gebesmair, Andreas}, year = {2017}, note = {Projekt: AUFTRAG03}, keywords = {Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publiktationstyp Schriftpublikation, SP MW Global Media Markets \& Local Practices}, } @incollection{gebesmair_musik_2020, address = {Wiesbaden}, title = {Musik}, url = {https://doi.org/10.1007/978-3-658-09560-4_41}, booktitle = {Handbuch {Medienökonomie}}, publisher = {Springer}, author = {Gebesmair, Andreas}, editor = {Krone, Jan and Pellegrini, Tassilo}, year = {2020}, keywords = {Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Schriftpublikation}, pages = {1015--1034}, } @incollection{gebesmair_schlusselaspekte_2020, address = {Wiesbaden}, title = {Schlüsselaspekte der {Medienproduktion}}, url = {https://doi.org/10.1007/978-3-658-09560-4_18}, booktitle = {Handbuch {Medienökonomie}}, publisher = {Springer}, author = {Gebesmair, Andreas and Nölleke-Przybylski, Pamela}, editor = {Krone, Jan and Pellegrini, Tassilo}, year = {2020}, keywords = {Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Schriftpublikation, best-lbgebesmair}, pages = {585--622}, } @incollection{krone_key_2022, address = {Wiesbaden}, title = {Key {Aspects} of {Media} {Production}}, isbn = {978-3-658-34048-3}, url = {https://doi.org/10.1007/978-3-658-34048-3_18-2}, language = {en}, urldate = {2022-08-10}, booktitle = {Handbook of {Media} and {Communication} {Economics}}, publisher = {Springer Fachmedien Wiesbaden}, author = {Gebesmair, Andreas and Nölleke-Przybylski, Pamela}, editor = {Krone, Jan and Pellegrini, Tassilo}, year = {2022}, doi = {10.1007/978-3-658-34048-3_18-2}, keywords = {Department Medien und Digitale Technologien, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Wiss. Beitrag}, pages = {1--35}, } @incollection{krone_music_2022, address = {Wiesbaden}, title = {Music}, isbn = {978-3-658-34048-3}, url = {https://doi.org/10.1007/978-3-658-34048-3_41-2}, language = {en}, urldate = {2022-08-10}, booktitle = {Handbook of {Media} and {Communication} {Economics}}, publisher = {Springer Fachmedien Wiesbaden}, author = {Gebesmair, Andreas}, editor = {Krone, Jan and Pellegrini, Tassilo}, year = {2022}, doi = {10.1007/978-3-658-34048-3_41-2}, keywords = {Departement Medien und Digitale Technologien, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Wiss. Beitrag}, pages = {1--19}, } @book{musik_burgerinnen-ethnographie_2018, address = {St. Pölten/Brunn am Gebirge}, title = {Eine {BürgerInnen}-{Ethnographie} der {Frankfurter} {Buchmesse}. {Ein} {Experiment}}, url = {https://phaidra.fhstp.ac.at/open/o:3274}, publisher = {ikon VerlagsGesmbH}, editor = {Musik, Christoph and Ebner-Zarl, Astrid and Gebesmair, Andreas}, year = {2018}, note = {Projekt: Trading Cultures}, keywords = {2018, Department Wirtschaft, Institut für Medienwirtschaft, Publikationstyp Schriftpublikation, best}, } @misc{gebesmair_confirming_2013, address = {University of Turin}, type = {refereed conference presentation}, title = {Confirming, {Inversing}, {Crossing} and {Blurring}. {Ethnic} {Boundaries} in {Austria}’s {Music} {Scenes}}, author = {Gebesmair, Andreas}, month = aug, year = {2013}, keywords = {Bewerbungsverfahren, Department Technologie, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Präsentation}, } @misc{gebesmair_recording_2015, address = {Musikuniversität Wien}, type = {Invited {Comment} on {Peter} {J}. {Martins} {Key} {Note} {Lecture} “{Musicology}, sociology and digitisation.”}, title = {The recording industry is here to stay}, author = {Gebesmair, Andreas}, month = sep, year = {2015}, keywords = {Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Präsentation, Publikationstyp Vortrag}, } @incollection{gebesmair_veranderung_2014, address = {Wien}, series = {Schriftenreihe der {Rundfunk} \& {Telekom} {Regulierungs}-{GmbH} {Band} 1}, title = {Veränderung der {Fernsehfilmproduktion} seit 2004}, url = {https://www.rtr.at/medien/aktuelles/publikationen/Publikationen/SchriftenreiheNr22014.de.html}, booktitle = {Fernsehförderung in Österreich}, author = {Gebesmair, Andreas}, editor = {{Rundfunk \& Telekom Regulierungs-GmbH}}, year = {2014}, note = {Projekt: FORSCH12}, keywords = {Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Schriftpublikation}, pages = {17--141}, } @misc{gebesmair_zur_2015, address = {Universität Zürich}, type = {refereed conference presentation}, title = {Zur {Ethnographie} von {Medienindustrien}}, author = {Gebesmair, Andreas and Musik, Christoph}, month = oct, year = {2015}, note = {Projekt: Trading Cultures}, keywords = {Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Präsentation, Publikationstyp Vortrag}, } @misc{gebesmair_rough_2019, address = {FH St. Pölten}, type = {Invited {Talk}}, title = {A rough guess? {Chancen} und {Grenzen} maschineller und manueller {Sentiment}-{Bewertung}}, author = {Gebesmair, Andreas and Grüblbauer, Johanna}, month = jul, year = {2019}, keywords = {Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Vortrag, Wiss. Beitrag}, } @misc{gebesmair_welt_2021, address = {Online}, type = {Vortrag}, title = {Die {Welt} im {Fluss} - {Streaming} von {YouTube} bis {Spotify}}, url = {https://dih-ost.at/product/neuewegenachcorona-derdonnerstagzummitreden/}, author = {Gebesmair, Andreas}, month = mar, year = {2021}, keywords = {Department Medien und Digitale Technologien, Forschungsgruppe Media Business, ICMT, Institut für Creative Media Technologies}, } @misc{gebesmair_digitale_2021, address = {Online}, type = {Podiumsdiskussion}, title = {Digitale {Wege} zum {Kunden}}, url = {https://www.digitalmakershub.at/inspiring-chats/}, author = {Gebesmair, Andreas}, month = jul, year = {2021}, keywords = {Department Medien und Digitale Technologien, Forschungsgruppe Media Business, ICMT, Institut für Creative Media Technologies}, } @inproceedings{von_suess_schwein_2016, address = {Wien}, title = {Ein {Schwein} für einen {Tag} – {Alternate} {Reality} {Game} aus dem {Forschungslab}}, url = {http://www.fh-vie.ac.at/Forschung/FH-Forschungsforum-2016}, booktitle = {Forschungsforum der österreichischen {Fachhochschulkonferenz}}, author = {von Suess, Rosa and Biechele, Jennifer and Prochaska, Harald and Blumenstein, Kerstin and Ederer, Thomas and Gebesmair, Andreas}, year = {2016}, keywords = {2016, Beitrag in Tagungsband, Department Technologie, Diversität und Demokratieentwicklung, Forschungsgruppe Media Computing, Institut für Creative Media Technologies, SP IlseA Partizipation, SP MW Global Media Markets \& Local Practices, Wiss. Beitrag, best, best lbvonsuess, peer-reviewed, ⛔ No DOI found}, } @article{gebesmair_make_2015, title = {Make or {Buy}? {Beschaffungsstrategien} österreichischer {Fernsehveranstalter}.}, url = {http://ffhoarep.fh-ooe.at/handle/123456789/382}, journal = {Tagungsband des 9. Forschungsforum der Österreichischen Fachhochschulen.}, author = {Gebesmair, Andreas}, year = {2015}, note = {Projekt: FORSCH12}, keywords = {Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Schriftpublikation, peer-reviewed, ⛔ No DOI found}, } @incollection{gebesmair_populare_2018, address = {Baden-Baden}, title = {Populäre {Musik}}, booktitle = {Handbuch {Mediensoziologie}}, publisher = {Nomos}, author = {Gebesmair, Andreas}, editor = {Hoffmann, Dagmar and Winter, Rainer}, year = {2018}, keywords = {Department Medien und Digitale Technologien, Forschungsgruppe Media Business, Institut für Creative Media Technologies}, } @misc{musik_wie_2015, address = {Universität Innsbruck}, title = {Wie kulturelle {Globalisierung} passiert. {Methodische} Überlegungen einer {Ethnographie} von {Content} {Handelsmessen}}, author = {Musik, Christoph and Gebesmair, Andreas}, month = feb, year = {2015}, note = {Projekt: Trading Cultures}, keywords = {Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Präsentation, Publikationstyp Vortrag}, } @book{gebesmair_balkanboom_2014, address = {Frankfurt a. M. et al}, series = {Musik und {Gesellschaft}}, title = {Balkanboom! {Eine} {Geschichte} der {Balkanmusik} in Österreich}, number = {34}, publisher = {Peter Lang Verlag}, author = {Gebesmair, Andreas and Brunner, Anja and Sperlich, Regina}, year = {2014}, keywords = {Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Schriftpublikation}, } @incollection{gebesmair_wechselnde_2014, address = {Laaber}, series = {Kompendium der {Musik}}, title = {Wechselnde {Koalitionen}. {Eine} kleine {Geschichte} der {Musikindustrie}}, number = {14}, booktitle = {Populäre {Musik}}, publisher = {Laaber Verlag}, author = {Gebesmair, Andreas}, editor = {Pfleiderer, Martin and Grosch, Nils and von Appen, Ralf}, year = {2014}, keywords = {Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Schriftpublikation}, pages = {72--89}, } @misc{gebesmair_role_2014, address = {University of Osnabrück}, type = {Key-{Note}}, title = {The role of cultural intermediaries in {World} {Music}: {The} case of {Balkan} music in {Austria}}, author = {Gebesmair, Andreas}, month = sep, year = {2014}, keywords = {Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Präsentation, Publikationstyp Vortrag}, } @misc{gebesmair_welche_2015, address = {FH St. Pölten}, title = {Welche {Lücken} kann die {Forschung} für transmediale {Produktionen} schließen}, author = {Gebesmair, Andreas}, year = {2015}, keywords = {Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Präsentation, Publikationstyp Vortrag}, } @incollection{gebesmair_musik_2016, title = {Musik}, booktitle = {Handbuch {Medienökonomie}}, publisher = {SpringerLink Online}, author = {Gebesmair, Andreas}, editor = {Krone, Jan and Pellegrini, Tassilo}, year = {2016}, keywords = {2016, Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Schriftpublikation}, pages = {1--21}, } @misc{gebesmair_andreas_impulsvortrag_2019, address = {Museumsquartier Wien, Österreich}, type = {Inivited talk}, title = {Impulsvortrag zu den technischen und ethischen {Grenzen} des maschinellen {Text} {Minings}}, author = {{Gebesmair, Andreas}}, month = dec, year = {2019}, keywords = {Digital Business \& Smart Data Management, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft}, } @misc{gebesmair_andreas_big_2019, address = {Universität Leipzig}, type = {Invited {Talk}}, title = {Big {Data} - big {Risks}? {Chancen} und {Gefahren} musikbezogener {Algorithmen} für {Wissenschaft} und {Gesellschaft}}, author = {{Gebesmair, Andreas}}, month = mar, year = {2019}, keywords = {Digital Business \& Smart Data Management, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Wiss. Beitrag, best-lbgebesmair}, } @article{gebesmair_elektronische_2002, title = {Elektronische {Musik} (miss-)verstehen. {Hörstrategien} und soziale {Strategien} in der {Musikrezeption} am {Beispiel} des „steirischen herbstes“}, shorttitle = {Elektronische {Musik} (miss-)verstehen. {Hörstrategien} und soziale {Strategien} in der {Musikrezeption} am {Beispiel} des "steirischen herbstes"}, journal = {S - European Journal for Semiotic Studies}, author = {Gebesmair, Andreas}, year = {2002}, keywords = {⛔ No DOI found}, } @book{gebesmair_grundzuge_2001, address = {Wiesbaden}, title = {Grundzüge einer {Soziologie} des {Musikgeschmacks}}, shorttitle = {Grundzüge einer {Soziologie} des {Musikgeschmacks}}, url = {https://doi.org/10.1007/978-3-663-10239-7}, publisher = {Westdeutscher Verlag}, author = {Gebesmair, Andreas}, year = {2001}, } @misc{gebesmair_baglama_2012, address = {Wien}, type = {Invited {Talk}}, title = {Baglama und {Balkanparty}. {Funktionen} und {Probleme} migrantischer {Kulturökonomien} am {Beispiel} {Wiens}}, abstract = {Vortrag im Rahmen der Ringvorlesung „Wirtschaften mit Migrationshintergrund“ an der Universität Wien}, author = {Gebesmair, Andreas and Parzer, Micheal}, month = may, year = {2012}, keywords = {Department Wirtschaft, Einladung, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Präsentation}, } @article{bekmeier-feuerhahn_erfindung_2010, title = {Die {Erfindung} der {Hochkultur}: {Institutionalisierung} und institutioneller {Wandel} in der {Kultursoziologie} {Richard} {A}. {Petersons} und {Paul} {DiMaggios}}, shorttitle = {Die {Erfindung} der {Hochkultur}}, url = {https://www.degruyter.com/document/doi/10.1515/transcript.9783839416419.77/html}, doi = {https://doi.org/10.1515/transcript.9783839416419.77}, urldate = {2022-02-04}, journal = {Jahrbuch für Kulturmanagement}, author = {Gebesmair, Andreas}, editor = {Bekmeier-Feuerhahn, Sigrid and Berg, Karen van den and Höhne, Steffen and Keller, Rolf and Mandel, Birgit and Tröndle, Martin and Zembylas, Tasos}, month = dec, year = {2010}, pages = {77--96}, } @book{gebesmair_fabrikation_2008, address = {Bielefeld}, title = {Die {Fabrikation} globaler {Vielfalt}. {Struktur} und {Logik} der transnationalen {Popmusikindustrie}}, shorttitle = {Die {Fabrikation} globaler {Vielfalt}. {Struktur} und {Logik} der transnationalen {Popmusikindustrie}}, url = {https://www.transcript-verlag.de/978-3-89942-850-6/die-fabrikation-globaler-vielfalt/}, publisher = {transcript}, author = {Gebesmair, Andreas}, year = {2008}, } @article{gebesmair_renditen_2004, title = {Renditen der {Grenzüberschreitung}: {Zur} {Relevanz} der {Bourdieuschen} {Kapitaltheorie} für die {Analyse} sozialer {Ungleichheiten}}, volume = {55}, shorttitle = {Renditen der {Grenzüberschreitung}: {Zur} {Relevanz} der {Bourdieuschen} {Kapitaltheorie} für die {Analyse} sozialer {Ungleichheiten}}, url = {https://doi.org/10/ggmdnp}, doi = {10/ggmdnp}, number = {2}, journal = {Soziale Welt}, author = {Gebesmair, Andreas}, year = {2004}, pages = {181--204}, } @incollection{gebesmair_baglama_2012-1, address = {Innsbruck}, title = {Baglama und {Balkanparty}. {Funktionen} und {Probleme} migrantischer {Kulturökonomien} am {Beispiel} {Wiens}}, booktitle = {Wirtschaften mit {Migrationshintergrund}. {Zur} soziokulturellen {Bedeutung} „ethnischer“ Ökonomien in urbanen {Räumen}}, publisher = {Studienverlag}, author = {Gebesmair, Andreas and Parzer, Michael}, editor = {{Dabringer, Maria} and {Trupp, Alexander}}, year = {2012}, keywords = {Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Schriftpublikation}, pages = {30--39}, } @article{gebesmair_musikgeschmack_1998, title = {Musikgeschmack und {Sozialstruktur}: {Zum} {Begriff} "{Omnivore}" in der amerikanischen {Kultursoziologie} der 90er {Jahre}}, volume = {23}, shorttitle = {Musikgeschmack und {Sozialstruktur}: {Zum} {Begriff} "{Omnivore}" in der amerikanischen {Kultursoziologie} der 90er {Jahre}}, number = {2}, journal = {Österreichische Zeitschrift für Soziologie}, author = {Gebesmair, Andreas}, year = {1998}, keywords = {⛔ No DOI found}, pages = {5--22}, } @article{gebesmair_ende_2001, title = {Das {Ende} der {Vielfalt}? {Zu} den {Zwängen} der globalen {Musikfernsehindustrie}}, shorttitle = {Das {Ende} der {Vielfalt}? {Zu} den {Zwängen} der globalen {Musikfernsehindustrie}}, journal = {Tr'acts 1 / 2001 - Richtungsmagazin für gesellschaftliche Erscheinungsformen herausgegeben vom Österreichischen Institut für Jugendforschung}, author = {Gebesmair, Andreas}, year = {2001}, keywords = {⛔ No DOI found}, pages = {4 -- 9}, } @article{gebesmair_was_2001, title = {Was ist neu an der {Globalisierung}? {Zu} den technologischen {Grundlagen} einer globalen {Musikkultur}}, volume = {21}, shorttitle = {Was ist neu an der {Globalisierung}? {Zu} den technologischen {Grundlagen} einer globalen {Musikkultur}}, journal = {kunstpunkt}, author = {Gebesmair, Andreas}, year = {2001}, keywords = {⛔ No DOI found}, pages = {20--21}, } @misc{gebesmair_kleine_2012, address = {Hochschule für Musik und Tanz Köln}, type = {Invited {Talk}}, title = {Kleine {Geschichte} der {Musikindustrie}}, author = {Gebesmair, Andreas}, month = apr, year = {2012}, keywords = {Department Wirtschaft, Einladung, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Präsentation}, } @incollection{denscher_digitale_1999, address = {Wien, München}, title = {Digitale {Musik} in Österreich. {Akademische} {Praxis} und {Subkultur}}, shorttitle = {Digitale {Musik} in Österreich. {Akademische} {Praxis} und {Subkultur}}, booktitle = {Kunst und {Kultur} in Österreich. {Das} 20. {Jahrhundert}}, publisher = {Brandstätter}, author = {Gebesmair, Andreas}, editor = {Denscher, Barbara}, year = {1999}, pages = {283--284}, } @incollection{gebesmair_kulturellen_2011, address = {Wiesbaden}, series = {Sonderheft 51 der {Kölner} {Zeitschrift} für {Soziologie} und {Sozialpsychologie}}, title = {Die kulturellen {Konsequenzen} der {Globalisierung}. {Eine} produktionsbezogene {Perspektive}}, booktitle = {Lebensstilforschung}, publisher = {VS Verlag}, author = {Gebesmair, Andreas}, editor = {{Rössel, Jörg} and {Otte, Gunnar}}, year = {2011}, keywords = {Department Wirtschaft, Forschungsgruppe Media Business, Institut für Creative Media Technologies, Institut für Medienwirtschaft, Publikationstyp Schriftpublikation}, pages = {169--195}, } @incollection{phleps_pop-peripherie_2001, address = {Karben}, series = {Beiträge zur {Popularmusikforschung}}, title = {Pop-{Peripherie} Österreich. {Zur} {Bedeutungslosigkeit} österreichischer {Musik} am globalen {Musikmarkt}}, volume = {27/28}, shorttitle = {Pop-{Peripherie} Österreich. {Zur} {Bedeutungslosigkeit} österreichischer {Musik} am globalen {Musikmarkt}}, booktitle = {Populäre {Musik} im kulturwissenschaftlichen {Diskurs} {II}}, publisher = {Coda}, author = {Gebesmair, Andreas}, editor = {Phleps, Thomas}, year = {2001}, pages = {205--231}, } @incollection{huber_burgerliche_2001, address = {Strasshof}, title = {Bürgerliche Öffentlichkeit und {Distanzierung}. {Zur} gesellschaftlichen {Verortung} pianistischer {Darbietungen}}, shorttitle = {Bürgerliche Öffentlichkeit und {Distanzierung}. {Zur} gesellschaftlichen {Verortung} pianistischer {Darbietungen}}, booktitle = {Das {Klavier} in {Geschichten} und {Gegenwart}. {Festschrift} für {Irmgard} {Bontinck}}, publisher = {Vier Viertel Verlag}, author = {Gebesmair, Andreas}, editor = {Huber, Michael and Mark, Desmond and Ostleitner, Elena and Smudits, Alfred}, year = {2001}, pages = {92--104}, } @incollection{harauer_entwicklung_2001, address = {Wien}, series = {mediacult.doc}, title = {Die {Entwicklung} der österreichischen {Popmusik} im {Zeitalter} der {Globalisierung} 1979-2000}, volume = {06/01}, shorttitle = {Die {Entwicklung} der österreichischen {Popmusik} im {Zeitalter} der {Globalisierung} 1979-2000}, booktitle = {Adieu, {Austropop}? {Die} schwindenden {Chancen} der österreichischen {Popmusik} auf dem {Musikmarkt}}, publisher = {Mediacult}, author = {Gebesmair, Andreas}, editor = {Harauer, Robert}, year = {2001}, pages = {7--55}, } @incollection{gebesmair_introduction_2001, address = {Aldershot et al}, title = {Introduction}, shorttitle = {Introduction}, booktitle = {Global {Repertoires}. {Popular} music within and beyond the transnational music industry}, publisher = {Ashgate}, author = {Gebesmair, Andreas}, editor = {Gebesmair, Andreas and Smudits, Alfred}, year = {2001}, pages = {1--6}, } @incollection{gebesmair_measurements_2001, address = {Aldershot}, title = {Measurements of globalization: {Some} remarks on sources and indicators}, shorttitle = {Measurements of globalization: {Some} remarks on sources and indicators}, booktitle = {Global repertoires: {Popular} music within and beyond the transnational music industry}, publisher = {Ashgate}, author = {Gebesmair, Andreas}, editor = {Gebesmair, Andreas and Smudits, Alfred}, year = {2001}, pages = {137--152}, } @incollection{steingress_hybrids_2002, address = {Münster, Hamburg, London}, series = {Populäre {Musik} und {Jazz} in der {Forschung}}, title = {Hybrids in the {Global} {Economy} of {Music}: {How} the {Major} {Labels} {Define} the {Latin} {Music} {Market}}, shorttitle = {Hybrids in the {Global} {Economy} of {Music}: {How} the {Major} {Labels} {Define} the {Latin} {Music} {Market}}, booktitle = {Songs of the {Minotaur} - {Hybridity} in the {Era} of {Globalization}}, publisher = {Lit}, author = {Gebesmair, Andreas}, editor = {Steingress, Gerhard and Dollase, Rainer}, year = {2002}, pages = {1--19}, } @incollection{drexel_popularmusik_2008, address = {Innsbruck}, title = {Popularmusik in {Tirol}}, volume = {3}, shorttitle = {Popularmusik in {Tirol}}, booktitle = {Musikgeschichte {Tirols}}, publisher = {Universitätsverlag Wagner}, author = {Gebesmair, Andreas}, editor = {Drexel, Kurt and Fink, Monika}, year = {2008}, pages = {553--578}, } @book{gebesmair_global_2001, address = {Aldershot et al}, title = {Global {Repertoires}: {Popular} {Music} within and beyond the {Transnational} {Music} {Industry}}, shorttitle = {Global {Repertoires}: {Popular} {Music} within and beyond the {Transnational} {Music} {Industry}}, publisher = {Ashgate}, author = {Gebesmair, Andreas and Smudits, Alfred}, year = {2001}, } @incollection{kopiez_musical_2003, address = {Hanover University of Music and Drama}, title = {Musical {Taste} and {Cultural} {Capital}}, shorttitle = {Musical {Taste} and {Cultural} {Capital}}, booktitle = {Exp[ear]ience: {Music} in {Science}, {Science} in {Music}. {Proceedings} of the 5th {Triennial} {ESCOM} {Conference}}, author = {Gebesmair, Andreas}, editor = {Kopiez, Reinhard and Lehmann, Andreas C and Wolther, Irving and Wolf, Christian}, year = {2003}, pages = {65--68}, } @incollection{rehberg_von_2006, address = {Frankfurt a. M.}, title = {Von der "{Kultur} für alle" zur "{Allesfresser}"-{Kultur}. {Unintendierte} {Folgen} der {Kulturpolitik}?}, shorttitle = {Von der "{Kultur} für alle" zur "{Allesfresser}"-{Kultur}. {Unintendierte} {Folgen} der {Kulturpolitik}?}, booktitle = {Soziale {Ungleichheit} - {Kulturelle} {Unterschiede}. 32. {Kongresses} der {Deutschen} {Gesellschaft} für {Soziologie}}, publisher = {Campus}, author = {Gebesmair, Andreas}, editor = {Rehberg, Karl-Siegbert}, year = {2006}, pages = {882--897}, } @incollection{scott_music_2009, address = {Aldershot}, title = {The {Music} {Industry}}, shorttitle = {The {Music} {Industry}}, booktitle = {The {Ashgate} {Research} {Companion} of {Popular} {Musicology}}, publisher = {Ashgate}, author = {Gebesmair, Andreas}, editor = {Scott, Derek B.}, year = {2009}, }